
Development: Ideas for the film are created, rights to existing intellectual properties are purchased, etc., and the screenplay is written.Film production consists of five major stages:

ĭavide Groppi designs Origine light to look like "a bud. Tobias Grau launches Team Home light that "fits flexibly. Tiles informed by natural stone from Ceramiche Keope feature. Modular furniture presented at Maison & Objet feature on. Yum Yum seating collection by Lapo Ciatti for Opinion CiattiĬeramiche Refin designs porcelain tiles that take cues from. Minimalist furniture and sculptural chairs from Opinion. Teknos interior paints provide "better indoor air quality" Zinc-clad hikers' cabin perches on a cliff edge in the Dolomites

Īn emergency cabin features in today's Dezeen Weekly newsletter ZITA raises House in the Andean Moorland above a fragile. Strand Design creates Lake Placid A-Frame in northern Wisconsin Wiercinski Studio creates portable home from pair of. ĭaab Design clads French cabin with scorched pine wood Imbue Design completes glass-and-steel home in Utah desert. Elsewhere, Finnish practice Studio Puisto designed an adaptable, prefabricated cabin to offer people who have been forced to spend more time at home during the pandemic a space to work or unwind.

In Aarhus, Danish practice Sleth recently completed a copper-clad cabin workspace for an author, which focuses on creating a connection to its natural, wooded site. The Covid-19 pandemic has led to a renewed interest in spaces that separate work and home life in the absence of shared offices. A small mezzanine with a porthole sits at the back of the cabin "All the technical appliances that might give away the actual age of the hut are carefully hidden away to make the building appear ageless." The workspace is housed in a barrel-vaulted roomĪt the rear of The Filmmaker's Hut sits a bathroom and technical store.Ī wooden ladder leads up to a small mezzanine that is designed for "catching ideas and daydreaming" while looking out into the forest through a porthole window. "The side aisles are for working while the main nave has enough height and air for ideas, dreams and imagination," explained the architecture studio. Using the language of church architecture, the practice describes the centre of the structure as the "nave" and its desks as the "side aisles", while posters of the client's favourite films act as "the saints". Read: Mudd Architects snakes wavy bookshelf up to roof of Spanish writer's cabin
